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Dust Tracks on a Road: An Autobiography
Download Dust Tracks on a Road: An Autobiography
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"Warm, witty, imaginative... This is a rich and winning book." (The New Yorker)
Dust Tracks on a Road is the bold, poignant, and funny autobiography of novelist, folklorist, and anthropologist Zora Neale Hurston, one of American literature's most compelling and influential authors. Hurston's powerful novels of the South - including Jonah's Gourd Vine and, most famously, Their Eyes Were Watching God - continue to enthrall readers with their lyrical grace, sharp detail, and captivating emotionality. First published in 1942, Dust Tracks on a Road is Hurston's personal story, told in her own words. The Perennial Modern Classics Deluxe edition includes an all-new foreword by Maya Angelou, an extended biography by Valerie Boyd, and a special section featuring the contemporary reviews that greeted the book's original publication.
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Audible Audiobook
Listening Length: 11 hours and 22 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: HarperAudio
Audible.com Release Date: October 11, 2016
Language: English, English
ASIN: B01KW9XYXI
Amazon Best Sellers Rank:
I highly recommend this autobiography. Zora Neale is amazing, her insight. Wow. I think I texted/emailed my friends nearly half the book.
Nora Neale Hurston wrote an interesting autobiography which is basically a "rags to riches" book. Her book is a lesson about rising above one's circumstances. In fact Hurston described herself as "sassy and NEVER accepting apprehensively convention wisdom. In other words, Hurston's book is one of encouragement following one's desires dreams rather than the status quo. The book should be required reading for those who have intellectual dreams but are afraid to try.Robert Hemenways's introduction is useful. While Hemenway described the book as peculiar, he is wrong. Hurston's autobiography is one of inspiration and careful reflection. While Hurston was not necessarily a political activist, whatever that means, she was astute. She scathingly denounced President Truman's order to drop atomic bombs on innocent civilians in August, 1945 when the Japanese were ready to surrender in February, 1945 per the MacArthur Memorandum in February, 1945. She also condemned the "war crimes" trials of Japanese leaders after WW II-whatever a war crime is. As Hurston commented. "...War is war."The introduction was followed Hurston's description of family life. Hurston's father migrated from Alabama to Florida where he became the mayor of the first incorporated black city in Eatonville, Florida. Hurston's description of the courtship between her parents was amusing. Hurston's father was a Baptist pastor who pestered Hurston's mother by writing notes in hymnals and flirtation. As Hurston wryly responded, her mother married "just to get rid of her father. What may surprise readers is that even among poor segregated blacks in the South, there was a "pecking order" and class distinctions. Hurston's father was of mixed race ancestry and was considered born out of wedlock.Hurston was consider "sassy" which relatives warned could lead to lynching or shooting. Hurston's father resented her being feisty, but her mother argued that such a feisty attitude was an asset since it could lead to independent thinking. Hurston's mother taught Huston grammar, reading, arithmetic/decimals, and whatever else the mother knew. This was rare among poor segregated blacks in the South.Hurston also described her childhood friends and the petty spats she had with her friends. For example, had a silly spat that the moon loved one girl more than the other. After an angry exchange, the two girls reconciled their silly spat. Hurston remarked that she liked to break curfew even if it meant a "whipping.As mentioned above, Hurston was "sassy." She was also very clever. Hurston got into a school in Maryland by lying about her age. She reported to be ten years young than she actually was. Hurston did well in school and was an eager student. In other words, Hurston realized that she was smarter than she was led to believe.As feisty and determined as Hurston was, she reported on her disappoints which NEVER led to fatalistic despair. When Hurston's mother died, her father remarried, and the second wife forced Hurston out of the house. Hurston had to reside with different family members and was starved for books. She got a break when she was hired as a maid in the North. She also worked as a waitress and got an acting "gig." She saved money and continued learning. She met two friends who were Fanny Hurst and Ethel waters who remained friends for the remainder of their lives.Hurston wrote a chapter title "My people! My people! which related the vestiges of US race relations. She also related that among blacks, she described them as "uncouth Negros and gentleman Negros. Yet, Hurston never let he success and fame interfere with her relations with others regard of wealth and reputation. Such an attitude influenced Hurston's religious views. She was an agnostic who considered that people were blessed by Father Sun, and that regardless of race, status, or wealth. As Hurston noted, we are part of the Cosmos, and such distinctions have little meaning "in the grand scheme of things."As stated above, this book should be required reading for young students to inform them what "guts" and determination can achieve regardless of one's social status. Hurston's book is a reminder of that what people can achieve in spite of disappointments and criticism. Her book is a n inspiration and tribute to the human spirit.James E. EgolfFebruary 24, 2016
In many ways, this feels like a rough draft. There isn't a clear through line or theme that ties the stories together, and the chapters at the end about romance, race, religion, etc. feel tacked on and incomplete, not as vital as Hurston's memories of childhood and adolescence. What kept me reading was her voice: always vivid and tough and funny with these flashes of pure poetry or emotion that felt surprising in the midst of a lot of tall tales.
It's great reading this because if you've also read Hurston's "Their Eyes Were Watching God," you can see where Zora got some of the material that appeared in her book. She assembles words with grace. She captures Southern Black dialect of the early part of the century quite well (I do remember that!), and her characterizations seem right -- according to a white person's recollection, anyway. (The preface by Maya Angelou strongly suggests she wrote for the white reader, not the black reader, which -- in my view is understandable since her teachers, professors, and other mentors were almost all white.) Wait -- I can't remember if Angelou's preface was in this one or in "Watching God" because I let someone borrow the two books. I think it was this one, though. But I couldn't down put either of the two books. She tells a great story without much apparent anger, with plenty of color and an overall nonjudgmental acceptance of the role/position of black people in the age in which she grew up and wrote. That role/position is not at all acceptable today. But these were different times, which is not to say the subordinate position was okay. But the fact that she writes about it in a matter-of-fact way possibly helps communicate emotions, motivations, thoughts shared between individuals who all lived within that culture, which is one of the many reasons it is a pleasant read, not a terribly disturbing read, and also, perhaps, therefore more enlightening to many than it might have been had it been interlaced with rightfully grudge-worthy terminology and thoughts. Many people probably would have ignored a book like that, while this one is a lot less likely to turn off readers, and therefore a lot more likely to inform that element that could be/would be turned off by a more strongly worded political tone. In addition to the cultural observations, the reader also gains an insight into the type of mind and type of loving upbringing she got from her mother (before her mother died) that was necessary for a bright black female to "make it" and gain a wonderful education in a white-dominated society. I'm personally sorry that she did not interweave the interplay of her personal friendships and romances over time with the scholastic, intellectual and literary aspects of her life. She separated those topics into chapters, and in doing that, I think, a lot of the potential struggles and conflicts she might have faced perhaps were left out. I got that feeling, anyway. Even so, it's a compelling read and one that I recommend.
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